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Georgia Tech School of Music Presents:
OH JULIETTA!

Georgia Tech School of Music Presents:
OH JULIETTA!

Thursday, September 24, 2026
7:30pm
Ferst Center

Georgia Tech Symphony Orchestra

Dr. Chaowen Ting, Conductor

The concert explores Shakespeare’s Romeo and Juliet through Tchaikovsky’s dramatic Romeo and Juliet Fantasy Overture and Carol Barnett’s "Juliet" from Will’s Ladies, featuring mezzo-soprano Xiaohan Chen. The evening culminates with Prokofiev’s Romeo and Juliet Suite No. 2, Op. 64ter, celebrated for its vivid orchestration, dramatic intensity, and powerful character portrayals. 

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Program

Romeo and Juliet Overture-Fantasy, TH42 (1869)
Pyotr Ilyich Tchaikovsky (1840-1893)
Will' s Ladies (2024)
II. Juliet
Carol Barnett (b.1949)

Xiaohan Chen, mezzo-soprano
Romeo and Juliet Suite No. 2, op.64ter (1935)
1. The Montagues and the Capulets
2. Juliet - the little girl
3. Friar Laurence
4. Dance
5. Romeo and Juliet before parting
7. Romeo and Juliet's grave
Sergei Prokofiev(1891—1953)

Program Notes: Will's Ladies

Will’s Ladies illuminates five of Shakespeare’s most memorable women: Portia, Juliet, Lady Macbeth, Ophelia, and Cleopatra.

JULIET enters, joyfully impatient for the day to run its course. Eagerness deepens into sensual yearning as she anticipates the onset of night and the arrival of Romeo. The movement is an homage to my teacher, Dominick Argento, who set the same text in his Variations for Orchestra (The Mask of Night).

 

picture of composer Carol Barnett

Composer Bio – Carol Barnett

Carol Barnett (b. 1949) writes audacious and engaging music. She is known for breaking the mold with meter changes, differing tonal centers, unusual instrument combinations, and her love of fast tempi. Despite these typical thumbprints, Barnett’s works are diverse, uncovering the needs of each piece and each text with her characteristic integrity. Carol’s varied catalog includes works for solo voice, piano, chorus, diverse chamber ensembles, orchestra, and wind ensemble.

The World Beloved: A Bluegrass Mass, commissioned in 2006 by VocalEssence and written with Marisha Chamberlain, had its Carnegie Hall debut in 2013 and has been reprised there multiple times, including most recently in 2024; the “Bluegrass Mass” has become a favorite across the country.

Barnett is a charter member of the American Composers Forum and a graduate of the University of Minnesota, where she studied composition with Dominick Argento and Paul Fetler. She was composer-in-residence with the Dale Warland Singers from 1992 to 2001, and a member of the adjunct faculty at Augsburg College from 2000 to 2015.


For more information, visit: https://carolbarnett.net/

Text: "Juliet" from Will's Ladies

Gallop apace, you fiery-footed steeds,
Towards Phoebus’ lodging; such a waggoner
As Phaeton would whip you to the west
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That rude day’s eyes may wink, and Romeo
Leap to these arms, untalk’d of and unseen.
Lovers can see to do their amorous rites
By their own beauties: or if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match
Play’d for a pair of stainless maidenhoods:
Hood my unmann’d blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo, come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow upon a raven’s back.
Come, gentle night, come, loving, black-brow’d night,
Give me my Romeo; and when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night…


–Romeo and Juliet: Act III, Scene 2

 

 

picture of mezzo-soprano Xiaohan Chen

Soloist Bio – Xiaohan Chen

Chinese mezzo-soprano Xiaohan Chen is based in the United States and has performed throughout the United States, Canada, and China. She is a doctoral candidate in Opera Performance at the University of Georgia and holds a Master of Music degree from the Manhattan School of Music. Recent engagements include the leading role of Oay Mei Li in The Atlanta Opera’s 2026 presentation of Rosenbaum and Li.

Her operatic roles include Carmen in Carmen, Dorabella in Così fan tutte, Charlotte in Werther, Angelina in La Cenerentola, Siébel in Faust, and Cherubino in Le nozze di Figaro, among more than twenty roles in her repertoire. Chen has also performed extensively in concert and oratorio. She performed Tan Dun’s Water Passion in New York with composer Tan Dun and has appeared as a soloist in Handel’s Messiah, including multiple performances at Carnegie Hall.

Chen is a two-time First Prize winner of The Atlanta Opera’s 96-Hour Opera Project and a recipient of the University of Georgia Director’s Excellence Award. She is also the founder of Dr. Chen Voice Studio in Suwanee, Georgia, where she mentors aspiring singers.

For more information, please visit xiaohanchen.co.

Ensemble Members

Violin I

 

Kyle Xie, Concertmaster

Electrical Engineering

Callan Logan

Aerospace Engineering

Sila Keha

Industrial Engineering

Lauren Kong

Industrial Engineering

Allen Xu

Mathematics

Jonathan Chang

Computer Science

Abhinav Ivaturi

Computer Science

Angelina Lee

Industrial Engineering

Eden Choi

Computational Media

Justin Wong

Electrical Engineering

Leo Wang

Mechanical Engineering

Cooper Fister

Biology

Kyle Jiang

Electrical Engineering

Chris Kwon

Mechanical Engineering

Violin II

 

Gene Chang, Principal

Computer Science

Ellen Kolesnikova

Computer Science

Ethan Leong

Computer Science

Leyah James

Neuroscience

Alicia Li

Industrial Design

Elijah Kim

Biomedical Engineering

Ajay Anne

Electrical Engineering

Megan Chen

Computer Human Interaction

Sahana Raghavan

Biomedical Engineering

Rebecca Ma

Electrical Engineering

Aaron Wang

Computer Science

Jiyoon Park

Biology

Ariana Syed

Neuroscience

Leo Liu*

Aerospace Engineering

Viola

 

Karthik Jaligama, Principal

Aerospace Engineering

Tyler Bothwell

Chemistry

Lyudmila Piatkov

Biomedical Engineering

Caeli Mistretta

Biomedical Engineering

Zoura Chan

Materials Science & Engineering

Brandon Marshall

Computer Science

Victor Huang

Electrical Engineering

Paul Cole

Computer Engineering

Cello

 

Sean Yoshihara, Principal

Computer Science

Preston Bowen

Economics

Daniel Loza

Electrical Engineering

Mia Song

Materials Science & Engineering

Chase Choi

Biochemistry

Will Deinzer

Computer Science

Joseph Tappen

Mechanical Engineering

Ethan Lo

Computer Science

Albert Kuo

Mechanical Engineering

Aaron Wang

Music Technology

Bass

 

Hazel Patty, Principal

Industrial Engineering

Irene Achanti

Industrial Engineering

Ethan Huang

Industrial Engineering

Flute/Piccolo

 

Yoojin Jeong^

Neuroscience

Sean Ladinsky@

Materials Science and Engineering

Isabel Edgcomb&

Aerospace Engineering

Oboe

 

Eliana He^

Biomedical Engineering

Hyunju Kim@&

Computational Science & Engineering

English Horn

 

Liam Nunn

Civil Engineering

Clarinet

 

Daniel Huang@&

Computer Science

Joseph Lee^

Biomedical Engineering

Bass Clarinet

 

Alexander Hunt

Computer Engineering

Bassoon

 

Kaydence Diner

Arts & Entertainment Technology major

Tucker Jones

Biology

Andrew Tang@&^

Electrical Engineering

Contrabassoon

 

John Grove&^

 

Horn

 

Elliot Anders^

Computer Engineering

James Armendariz&

Computer Science

Henry Garcia@

Electrical Engineering

Kathryn Hughes

Chemical and Biomolecular Engineering

Tenor Sax

 

Yash Saraff

Aerospace Engineering

Trumpet

 

Sophie Huang^

Music Technology

Alexander Thomas@

Aerospace Engineering

Mason Beyke

Psychology

Trombone

 

Sebastiano Sgarbossa@&

Mechanical Engineering

Jasper Shek^

Aerospace Engineering

Tuba

 

Hasan Saadi

Industrial Engineering

Harp

 

Jocelyn Chang

Computer Science

Keyboard

 

Noah Hur

Mechanical Engineering

Timpani/Percussion

 

Nathan Chou

Computer Science

Fischer Jehs

Electrical and Computer Engineering

Derek Lee

Mechanical Engineering

Denotes principal player: @Tchaikovsky  &Barnett  ^Prokofiev

Georgia Tech School of Music

Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the Georgia Tech School of Music cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.