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Georgia Tech School of Music Presents:
OH JULIETTA!
Georgia Tech School of Music Presents:
OH JULIETTA!
Thursday, September 24, 2026
7:30pm
Ferst Center
Georgia Tech Symphony Orchestra
Dr. Chaowen Ting, Conductor
The concert explores Shakespeare’s Romeo and Juliet through Tchaikovsky’s dramatic Romeo and Juliet Fantasy Overture and Carol Barnett’s "Juliet" from Will’s Ladies, featuring mezzo-soprano Xiaohan Chen. The evening culminates with Prokofiev’s Romeo and Juliet Suite No. 2, Op. 64ter, celebrated for its vivid orchestration, dramatic intensity, and powerful character portrayals.
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Program
II. Juliet
Xiaohan Chen, mezzo-soprano
1. The Montagues and the Capulets
2. Juliet - the little girl
3. Friar Laurence
4. Dance
5. Romeo and Juliet before parting
7. Romeo and Juliet's grave
Program Notes: Will's Ladies
Will’s Ladies illuminates five of Shakespeare’s most memorable women: Portia, Juliet, Lady Macbeth, Ophelia, and Cleopatra.
JULIET enters, joyfully impatient for the day to run its course. Eagerness deepens into sensual yearning as she anticipates the onset of night and the arrival of Romeo. The movement is an homage to my teacher, Dominick Argento, who set the same text in his Variations for Orchestra (The Mask of Night).
Composer Bio – Carol Barnett
Carol Barnett (b. 1949) writes audacious and engaging music. She is known for breaking the mold with meter changes, differing tonal centers, unusual instrument combinations, and her love of fast tempi. Despite these typical thumbprints, Barnett’s works are diverse, uncovering the needs of each piece and each text with her characteristic integrity. Carol’s varied catalog includes works for solo voice, piano, chorus, diverse chamber ensembles, orchestra, and wind ensemble.
The World Beloved: A Bluegrass Mass, commissioned in 2006 by VocalEssence and written with Marisha Chamberlain, had its Carnegie Hall debut in 2013 and has been reprised there multiple times, including most recently in 2024; the “Bluegrass Mass” has become a favorite across the country.
Barnett is a charter member of the American Composers Forum and a graduate of the University of Minnesota, where she studied composition with Dominick Argento and Paul Fetler. She was composer-in-residence with the Dale Warland Singers from 1992 to 2001, and a member of the adjunct faculty at Augsburg College from 2000 to 2015.
For more information, visit: https://carolbarnett.net/
Text: "Juliet" from Will's Ladies
Gallop apace, you fiery-footed steeds,
Towards Phoebus’ lodging; such a waggoner
As Phaeton would whip you to the west
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That rude day’s eyes may wink, and Romeo
Leap to these arms, untalk’d of and unseen.
Lovers can see to do their amorous rites
By their own beauties: or if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match
Play’d for a pair of stainless maidenhoods:
Hood my unmann’d blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo, come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow upon a raven’s back.
Come, gentle night, come, loving, black-brow’d night,
Give me my Romeo; and when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night…
–Romeo and Juliet: Act III, Scene 2
Soloist Bio – Xiaohan Chen
Chinese mezzo-soprano Xiaohan Chen is based in the United States and has performed throughout the United States, Canada, and China. She is a doctoral candidate in Opera Performance at the University of Georgia and holds a Master of Music degree from the Manhattan School of Music. Recent engagements include the leading role of Oay Mei Li in The Atlanta Opera’s 2026 presentation of Rosenbaum and Li.
Her operatic roles include Carmen in Carmen, Dorabella in Così fan tutte, Charlotte in Werther, Angelina in La Cenerentola, Siébel in Faust, and Cherubino in Le nozze di Figaro, among more than twenty roles in her repertoire. Chen has also performed extensively in concert and oratorio. She performed Tan Dun’s Water Passion in New York with composer Tan Dun and has appeared as a soloist in Handel’s Messiah, including multiple performances at Carnegie Hall.
Chen is a two-time First Prize winner of The Atlanta Opera’s 96-Hour Opera Project and a recipient of the University of Georgia Director’s Excellence Award. She is also the founder of Dr. Chen Voice Studio in Suwanee, Georgia, where she mentors aspiring singers.
For more information, please visit xiaohanchen.co.
Ensemble Members
Violin I | |
Kyle Xie, Concertmaster | Electrical Engineering |
Callan Logan | Aerospace Engineering |
Sila Keha | Industrial Engineering |
Lauren Kong | Industrial Engineering |
Allen Xu | Mathematics |
Jonathan Chang | Computer Science |
Abhinav Ivaturi | Computer Science |
Angelina Lee | Industrial Engineering |
Eden Choi | Computational Media |
Justin Wong | Electrical Engineering |
Leo Wang | Mechanical Engineering |
Cooper Fister | Biology |
Kyle Jiang | Electrical Engineering |
Chris Kwon | Mechanical Engineering |
Violin II | |
Gene Chang, Principal | Computer Science |
Ellen Kolesnikova | Computer Science |
Ethan Leong | Computer Science |
Leyah James | Neuroscience |
Alicia Li | Industrial Design |
Elijah Kim | Biomedical Engineering |
Ajay Anne | Electrical Engineering |
Megan Chen | Computer Human Interaction |
Sahana Raghavan | Biomedical Engineering |
Rebecca Ma | Electrical Engineering |
Aaron Wang | Computer Science |
Jiyoon Park | Biology |
Ariana Syed | Neuroscience |
Leo Liu* | Aerospace Engineering |
Viola | |
Karthik Jaligama, Principal | Aerospace Engineering |
Tyler Bothwell | Chemistry |
Lyudmila Piatkov | Biomedical Engineering |
Caeli Mistretta | Biomedical Engineering |
Zoura Chan | Materials Science & Engineering |
Brandon Marshall | Computer Science |
Victor Huang | Electrical Engineering |
Paul Cole | Computer Engineering |
Cello | |
Sean Yoshihara, Principal | Computer Science |
Preston Bowen | Economics |
Daniel Loza | Electrical Engineering |
Mia Song | Materials Science & Engineering |
Chase Choi | Biochemistry |
Will Deinzer | Computer Science |
Joseph Tappen | Mechanical Engineering |
Ethan Lo | Computer Science |
Albert Kuo | Mechanical Engineering |
Aaron Wang | Music Technology |
Bass | |
Hazel Patty, Principal | Industrial Engineering |
Irene Achanti | Industrial Engineering |
Ethan Huang | Industrial Engineering |
Flute/Piccolo | |
Yoojin Jeong^ | Neuroscience |
Sean Ladinsky@ | Materials Science and Engineering |
Isabel Edgcomb& | Aerospace Engineering |
Oboe | |
Eliana He^ | Biomedical Engineering |
Hyunju Kim@& | Computational Science & Engineering |
English Horn | |
Liam Nunn | Civil Engineering |
Clarinet | |
Daniel Huang@& | Computer Science |
Joseph Lee^ | Biomedical Engineering |
Bass Clarinet | |
Alexander Hunt | Computer Engineering |
Bassoon | |
Kaydence Diner | Arts & Entertainment Technology major |
Tucker Jones | Biology |
Andrew Tang@&^ | Electrical Engineering |
Contrabassoon | |
John Grove&^ | |
Horn | |
Elliot Anders^ | Computer Engineering |
James Armendariz& | Computer Science |
Henry Garcia@ | Electrical Engineering |
Kathryn Hughes | Chemical and Biomolecular Engineering |
Tenor Sax | |
Yash Saraff | Aerospace Engineering |
Trumpet | |
Sophie Huang^ | Music Technology |
Alexander Thomas@ | Aerospace Engineering |
Mason Beyke | Psychology |
Trombone | |
Sebastiano Sgarbossa@& | Mechanical Engineering |
Jasper Shek^ | Aerospace Engineering |
Tuba | |
Hasan Saadi | Industrial Engineering |
Harp | |
Jocelyn Chang | Computer Science |
Keyboard | |
Noah Hur | Mechanical Engineering |
Timpani/Percussion | |
Nathan Chou | Computer Science |
Fischer Jehs | Electrical and Computer Engineering |
Derek Lee | Mechanical Engineering |
Denotes principal player: @Tchaikovsky &Barnett ^Prokofiev
Georgia Tech School of Music
Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the Georgia Tech School of Music cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.