Chamber choir stands for a photo in a large auditorium

Georgia Tech Chamber Choir Presents:
The Mystery of Life, Love and Death in Song

Georgia Tech Chamber Choir Presents:
The Mystery of Life, Love and Death in Song

Sunday, November 13, 2022
3:00 pm
The Kendeda Building for Innovative and Sustainable Design

Jerry Ulrich, Conductor
Nathan Frank, Assistant Conductor
Jingrui Zhang, Accompanist

The Mystery of Life, Love, and Death in Song

GT Chamber Choir

Drei Quartette, Op. 31 (1864)

I. Wechsellied zum Tanze
II. Neckereien
III. Der Gang zum Liebchen

Johannes Brahms (1833-1897)

Nobody Knows The Trouble I've Seen

arr. Jerry Ulrich (b. 1955)

A Place of Peace from "Lucem Pax" (2011)

Jerry Ulrich (b. 1955)

The First Tears (2014)

An Inuit legend
Ēriks Ešenvalds (b. 1977)

Triptych (2005)

I. Threnody
II. As We Remember Them
III. From Heaven Distilled a Clemency

Tarik O'Reagan (b. 1978)
 
 

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Program Notes

This afternoon’s program celebrates the mystery of life, love, and death in the texts of poetry set to music. Each day unfolds before us as an unknown canvas, and as much as we seek to manage and manipulate, life hands us the unexpected in indiscriminate measure. Sometimes, the answer to the question is, ‘there is no answer.’ Embrace the mystery…

 

      “The mystery of existence will always remain a mystery. All we know for sure is what the ancients knew: each succeeding generation forms a link in the braided cord of humanity. Each of our lives is shallower if we do not know and pay homage to where we came from. The past forms the world that we currently inhabit, and our actions today, comparable to our ancestors’ actions of yesterday, will reverberate in the history of tomorrow. While the tools of our trades evolve from generation to generation, the way that people behave and the motives behind their behavior remains constant. Each generation must chart the same dangerous territories of the heart. Each succeeding generation must diagnosis the illnesses that imperil their mental, physical, social, and economic wellbeing. Life is brutally painful and extraordinary joyful.”

- Kilroy J. Oldster, Dead Toad Scrolls

 

      “The important thing is not to stop questioning. Curiosity has its own reason for existence. One cannot help but be in awe when he contemplates the mysteries of eternity, of life, of the marvelous structure of reality. It is enough if one tries merely to comprehend a little of this mystery each day.”

- Albert Einstein, ‘LIFE Magazine (2 May 1955)’

 

      “What I’m after, above all, is a sense of divine inspiration that touches the very core of my being. That lives throughout every aspect of my existence, so all I do and all I see is beauty in the simplicity, and mystery in the unknown. To let nothing drag me into the monotony of living, but to always move to the unique rhythm of each passing day. To give nothing but all of me- my soul, my heart, my fire.”

- Sarah Loven, Les Belles Lettres

 

“We are not so much seeking the meaning of life, as we are ‘the experience of being alive.’”

- Joseph Campbell, The Power of Myth

 

“The more I know, the less I understand.”

- Don Henley

 

“Think and wonder, wonder and think.”

- Dr. Seuss

 

 

Special thanks to the following:
 
• Dr. Nathan Frank, Choir Director Johns Creek United Methodist Church
• Dr. Jason Freeman, School of Music Chair
• Kelsey Brunson, School of Music Administrative Assistant
• Corissa James, School of Music Administrative Assistant
• Shan Arora, Director of Kendeda Building
• Kamilah Roberts, Program Support Coordinator, GT Serve-Learn-Sustain
• GT Catering
• TLC Rentals
• Grace Kawamura Stubbart, violinist

Texts & Translations

Komm mit, o Schöne, komm mit mir zum Tanze; Tanzen gehöret zum festlichen Tag. Bist du mein Schatz nicht, so kannst du es werden,Wirst du es nimmer, so tanzen wir doch. Komm mit, o Schöne, komm mit mir zum Tanze; Tanzen gehöret zum festlichen Tag.

Come with me to the dance, o beauty; dancing is right for a festive day. You can become my sweetheart if you are not, but if you will never be, we can just dance. Come with me to the dance, o beauty; dancing glorifies a festive day.
 

Ohne dich, Liebste, was wären die Feste? Ohne dich, Süße, was wäre der Tanz? Wärst du mein Schatz nicht, so möcht ich nicht tanzen, Bleibst du es immer, ist Leben ein Fest. Ohne dich, Liebste, was wären die Feste?Ohne dich, Süße, was wäre der Tanz?

Without you, dearest, what would a festival be? Without you, my sweet, what would a dance be? If you were not my sweetheart, I would not want to dance. If you stay my sweetheart forever, life will be a celebration. Without you, dearest, what would a festival be? Without you, my sweet, what would a dance be?
 

Laß sie nur lieben, und laß du uns tanzen! Schmachtende Liebe vermeidet den Tanz. Schlingen wir fröhlich den drehenden Reihen, Schleichen die andern zum dämmernden Wald. Laß sie nur lieben, und laß du uns tanzen! Schmachtende Liebe Vermeidet den Tanz.

Let them love, but let us dance! Languishing love shuns the dance. Let us merrily weave about in spinning rows, and let the others creep off into the twilit wood. Let them love, but let us dance! Languishing love shuns the dance.
 

Laß sie sich drehen, und laß du uns wandeln! Wandeln der Liebe ist himmlischer Tanz. Amor, der nahe, der höret sie spotten, Rächet sich einmal, und rächet sich bald. Laß sie sich drehen, und laß du uns wandeln! Wandeln der Liebe ist himmlischer Tanz.

Let them twirl, and let us wander! Wandering in love is a heavenly dance. Cupid is nearby and hears this mockery; he will have revenge someday - and soon! Let them twirl, and let us wander! Wandering in love is a heavenly dance.

There is a river whose streams make glad the city of God, The holy place where God dwells.

Psalm 46:4

 

Hineh ma tov uma na-im Shevet achim gam yachad. (How good and pleasant it is when God's people live in peace together.)

Psalm 133:1

It was Raven who created the world.
One day Raven was out on the water in his kayak, when he saw what he thought was an island.

He rowed up to it and tried to land his kayak,
but a huge mouth opened up and swallowed him. It was not an island at all, but an enormous whale!

As he went down the whale’s throat, Raven thought he would die, but instead he saw the whale’s ribs around him like ivory columns. In the distance he could hear a sound,
as if someone was banging on a drum.
In the distance he could see a light, a mysterious light.

Raven followed the light and went further inside the Whale,
where he came to a strange little house.
He peered in through the window, then knocked on the door and went inside.

He came into a small room, and there in the corner sat
the most beautiful girl he had ever seen.
“Won’t you marry me and come out into the World with me?”
“I do not belong in the World just as you do not belong inside the Whale, but you can stay and keep me company for a while if you like.
However I must warn you never to touch my drum, my lamp.” The girl stood up and started to dance.

When she danced quickly, the Whale soared through the ocean. When she danced slowly the whale rested gently near the surface. The girl then stopped dancing and walked straight out of the door.

“Where are you going?”
“It’s not important, just a matter of breath and life.” “Who are you and why do you live inside the Whale?”
“I am the Whale’s soul and my drum is the Whale’s heart. My lamp must never go out or I will die,
and there will be nobody to beat my drum.
I sing and dance all day and night and never grow tired.”

But when the girl next left the room, Raven did something dreadful. He ignored what the girl had said to him. He touched the lamp. Raven burnt himself on the lamp, and dropped it on the floor.
It hit the floor, the flame went out.
The girl fell in through the door and dropped down dead; the house collapsed and became a pile of dead whale bones. Raven suddenly was all alone inside a mess of blood and fat.

Raven clambered back up the Whale’s throat,
up through its blowhole, up onto the top of its dead body. Raven flew higher and higher and higher far from the sea.

He flew to the earth and sat at the whale’s side,
and there he wept the first tears the world had ever known.

I. THRENODY
When death takes off the mask, [we] will know one another, though diverse liveries [we] wear here make [us] strangers.

William Penn (1644 - 1718),
from 'Some Fruits of Solitude In Reflections And Maxims' (1682)

Tremblest thou when my face appears, To thee? Wherefore thy dreadful fears?
Be easy, friend; 'tis thy truest gain. To be far away from the sons of men.
I offer a couch to give thee ease: Shall dreamless slumber so much displease?

Muhammad Rajab Al-Bayoumi (dates unknown), from 'Death Speaks',
translated by Arthur J. Arberry (1950)

To see a World in a Grain of Sand, And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand, And Eternity in an hour.

William Blake (1757 - 1827), from 'Auguries of Innocence' (1808)

Behold, how good and how pleasant it is for [people] to dwell together in unity.

Psalm 133, from The Bible (King James Version, 1611)

Ensemble Members

GT Chamber Choir

Soprano

Kathryn Amstutz *
Tia Chacko
Jacqueline Cunningham
Ashling Devins
Kaitlin Evans
Rachael Germany
Christine Ling
Bethany Ponder
Jordan Thybulle †

Alto

 

Ore Amosu
Lillian Ayala
Jodi Camino
Diya Chutani
Sophia Hawkins
Abby Jacobs
Emma Johnson
Brooke Nelson †
Madi O'Dell
Savannah Panackal †
Alexa Stewart
Morgan Ziegelski

Tenor

Kai Adams
AJ Chadha
Owen Hammond-Lee *
Remi Levinson
Kailen McCaulay
Ryan Schoenberg †
Christian Sims
Joey Steele *
Ree Sudhakar
Noah Weinstein †

Bass

Sam Barnett
Jalen Borne
Daniel Buckley
Will Buxton
Adi Deshpande
Michal Gregus
Eli Hibberts *
Sims Kuester
Nic Lu *
Elijah SHaw
Larry Stokes
Sameer Suri †

Denotes *Officer, †Section Leader

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Georgia Tech School of Music

Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the Georgia Tech School of Music cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.