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Georgia Tech School of Music Presents:
Romantic Masters VIII: Ein deutsches Requiem
Georgia Tech School of Music Presents:
Romantic Masters VIII: Ein deutsches Requiem
Thursday, February 15th, 2024
7:30pm
Ferst Center for the Arts
GT Symphony Orchestra
Chaowen Ting, conductor
Chorale, and Treble Choir
B.E. Boykin, conductor
Chamber Choir
Jerry Ulrich and Nathan Frank, conductors
Jingrui Zhang, accompanist
GT Symphony Orchestra is joined by Chamber Choir, Chorale, and Treble Choir in presenting German composer Johannes Brahms' masterwork, Ein deutsches Requiem (A German Requiem) with soloists Amanda Sheriff (soprano, Atlanta Opera Studio Artists) and Calvin Griffin (bass-baritone).
The GTSO will also present Reena Esmail's Ram Tori Maya featuring two GT Hindustani singers Aaditya Hingoo and Dhruv Pargai.
Program
Reena Esmail (b. 1983)
Hindustani Singing
Johannes Brahms (1833–1897)
Calvin Griffin, baritone
GT Symphony Orchestra and GT Choirs
Ram Tori Maya
*This reference is not literally religious, but an exclamation that aspires to a higher purpose.
Ein deutsches Requiem
“Ein deutsches Requiem” (A German Requiem), Opus 45
A note on the text and translation: Brahms, perhaps working from memory, sometimes departed in certain details from Martin Luther’s translation of the Bible; the text is given here as he set it. Occasionally the German and English translations of the Bible diverge, and in a few places where it is useful for the understanding of Brahms’s music, we depart from the Authorized Version in order to give a closer rendering of the text Brahms had before him.
denn sie sollen getröstet werden.
-Matthew 5:4
for they shall grow consoled.
Sie gehen hin und weinen und tragen edlen Samen,
und kommen mit Freuden und bringen ihre Garben.
-Psalm 126:5-6
They who go out weeping and carrying noble seeds
will come with joys and will bring their sheaves.
und alle Herrlichkeit des Menschen
wie des Grases Blumen.
Das Gras ist verdorret und die Blume abgefallen.
-1 Peter 1:24
and all the glory of mankind
as the grass’s flowers.
The grass has dried up, and the flower fallen off.
bis auf die Zukunft des Herrn.
Siehe, ein Ackermann wartet
auf die köstliche Frucht der Erde,
und ist geduldig darüber,
bis er empfange den Morgenregen und Abendregen.
-James 5:7
until the coming of the Lord.
See how the fieldsman waits
for the more delicious fruit of the earth,
and is beyond patient,
until he receives the morning and evening rain.
Aber des Herrn Wort bleibet in Ewigkeit.
-1 Peter 1:25
But the Lord’s word remains for eternity.
und gen Zion kommen mit Jauchzen;
ewige Freude wird über ihrem Haupte sein;
Freude und Wonne werden sie ergreifen,
und Schmerz und Seufzen wird weg müssen.
-Isaiah 35:10
and toward Zion come with rejoicing;
eternal joy will be on their heads;
joy and bliss will be achieved,
and pain and sighing must go away.
daß ein Ende mit mir haben muß,
und mein Leben ein Ziel hat, und ich davon muß.
that I must have an end,
and my life has a finish, and I must have thereof.
und mein Leben ist wie nichts vor dir.
Ach, wie gar nichts sind alle Menschen,
die doch so sicher leben.
Sie gehen daher wie ein Schemen,
und machen ihnen viel vergebliche Unruhe;
sie sammeln und wissen nicht wer es kriegen wird.
and my life is as nothing to you.
Alas, even as nothing is all mankind,
those who are yet so certain to live.
You go therefore as a silhouette,
and make them much needless unrest;
they gather it, and know not who will get it.
Ich hoffe auf dich.
-Psalm 39:4-7
I hope in you.
und keine Qual rühret sie an.
-Wisdom of Solomon 3:1
and no torment will touch them.
den Vorhöfen des Herrn;
mein Leib und Seele freuen sich
in dem lebendigen Gott.
the fore-courts of the Lord;
my body and soul look for
the living God.
die loben dich immerdar!
-Psalm 84: 1-2,4
who praise you forever.
aber ich will euch wieder sehen,
und euer Herz soll sich freuen,
und eure Freude soll niemand von euch nehmen.
-John 16:22
but I will see you again,
and your heart shall rejoice,
and your joy shall no one take from you.
Ich habe eine kleine Zeit Mühe und Arbeit gehabt,
Und habe großen Trost funden.
-Ecclesiasticus 51:27
I have a little time of toil and work,
and have found great comfort.
-Isaiah 66:13
sondern die zukünftige suchen wir.
-Hebrews 13:14
but the future city we seek.
Wir werden nicht alle entschlafen,
wir werden aber alle verwandelt werden;
We shall not all pass away,
but we shall all be changed
zu der Zeit der letzten Posaune.
Denn es wird die Posaune schallen,
und die Toten werden auferstehen unverweslich,
und wir werden verwandelt werden.
at the hour of the last horn.
For the horn will resound,
and the dead shall arise un-decomposable,
and we shall be changed.
das geschrieben steht:
Der Tod ist verschlungen in den Sieg.
Tod, wo ist dein Stachel?
Hölle, wo ist dein Sieg?
-I Corinthians 15:51-52, 54-55
that is written:
Death is devoured in victory.
Death, where is your sting?
Hell, where is your victory?
und Ehre und Kraft,
denn du hast alle Dinge erschaffen,
und durch deinen Willen haben,
sie das Wesen und sind geschaffen.
-Revelation 4:11
and honor and power,
for you have created all things,
and by your will
they, the entities, are created.
die in dem Herren sterben, von nun an.
Ja, der Geist spricht, daß sie ruhen von ihrer Arbeit,
denn ihre Werke folgen ihnen nach.
-Revelation 14:13
those who die in the Lord, from now on.
Yes, the Spirit says that they rest from their work,
and their deeds follow after them.
Composer Bio – Reena Esmail
Indian-American composer Reena Esmail works between the worlds of Indian and Western classical music, and brings communities together through the creation of equitable musical spaces.
Esmail’s life and music was profiled on Season 3 of PBS Great Performances series Now Hear This, as well as Frame of Mind, a podcast from the Metropolitan Museum of Art.
Esmail divides her attention evenly between orchestral, chamber and choral work. She has written commissions for ensembles including the Los Angeles Master Chorale, Seattle Symphony, Baltimore Symphony Orchestra and Kronos Quartet, and her music has featured on multiple Grammy-nominated albums, including The Singing Guitar by Conspirare, BRUITS by Imani Winds, and Healing Modes by Brooklyn Rider. Many of her choral works are published by Oxford University Press.
Esmail is the Los Angeles Master Chorale’s 2020-2025 Swan Family Artist in Residence, and was Seattle Symphony’s 2020-21 Composer-in-Residence. She also holds awards/fellowships from United States Artists, the S&R Foundation, the American Academy of Arts and Letters, and the Kennedy Center.
Esmail holds degrees in composition from The Juilliard School (BM’05) and the Yale School of Music (MM’11, MMA’14, DMA’18). Her primary teachers have included Susan Botti, Aaron Jay Kernis, Christopher Theofanidis, Christopher Rouse and Samuel Adler. She received a Fulbright-Nehru grant to study Hindustani music in India. Her Hindustani music teachers include Srimati Lakshmi Shankar and Gaurav Mazumdar, and she currently studies and collaborates with Saili Oak. Her doctoral thesis, entitled Finding Common Ground: Uniting Practices in Hindustani and Western Art Musicians explores the methods and challenges of the collaborative process between Hindustani musicians and Western composers.
Esmail was Composer-in-Residence for Street Symphony (2016-18) and is currently an Artistic Director of Shastra, a non-profit organization that promotes cross-cultural music connecting music traditions of India and the West.
She currently resides in her hometown of Los Angeles, California.
Program Notes – Ram Tori Maya
Ram Tori Maya is a bhajan by the ancient Indian saint-poet, Barabas, set to a melody by Ninu Majumdar. It speaks about how worldly distractions can prevent us from focusing on what is the most important and most sacred to each of us, and invites us to find that spirit within ourselves, and commit fully to it.
I originally arranged this bhajan for our Shastra Summer Collaborative, to teach Hindustani singers to sing with a string quartet. But the music is so direct, so lilting, so engaging that when Carnegie Hall’s Link Up program approached me to write a new piece, I knew that the students would benefit more from connecting with this ancient wisdom that is even more relevant in today’s world.
NOTE: I arranged this work in two parts: there is a beginning prelude that is participatory — students can participate by singing or on recorder. This corresponds to the resources in the Carnegie Hall Link Up curriculum, which is available here. The second part, which starts at 1:09 in the video above, is a part that only the orchestra plays. Students can listen in after participating, or the prelude can be omitted entirely if there is no participatory element to the concert.
Soloist Bio – Aaditya Hingoo
Aaditya Hingoo is a passionate student of North Indian classical music and has been learning from Mr. Tushar Bhatia, a pioneering composer and musician based in Mumbai. He has been learning vocals for more than a decade and is adept at multiple Hindustani genres in the Agra style including Dhrupad, Dhamar, and Khayal, Thumri, Tarana, and more. Aaditya also plays the sitar and its rarer counterpart, the surbahar.
Throughout high school and college, Aaditya has been an active participant in various ensembles and performed on multiple stages. He is currently a member of Aarohi, Georgia Tech’s organization for Indian classical arts, where he plays a role in coordinating events to foster engagement within the vibrant music community in Atlanta.
Aaditya is currently pursuing a bachelor’s degree in mechanical engineering and is on EcoCAR, one of the automotive engineering teams at the SCC. In free time, he enjoys cooking, hiking, and spending time with friends and family.
Soloist Bio – Dhruv Pargai
Dhruv is a versatile musician and producer whose artistry spans Hindustani Classical music, jazz harmony and music production. He has received formal training in Hindustani Classical as a vocalist, specifically in Khayal Gayaki of Kirana Gharana. As a self-trained keyboardist with some education in jazz harmony, Dhruv’s passion lies in contemporary fusion - where Hindustani vocals intertwine with Western harmony, resulting in captivating and novel compositions. Moreover, he loves to incorporate a mix of acoustic and electronic sounds to push the boundaries of musical expression, exploring the intersection of tradition and innovation.
Soloist Bio – Amanda Sheriff
American soprano Amanda Sheriff is currently a Glynn Studio Artist at Atlanta Opera. In 2024, she will make her role debut as Musetta (La Bohéme) at Intermountain Opera Bozeman and return to the Glimmerglass Festival to perform Satirino/L’Eternita (La Calisto) Amanda will make her Opera Philadelphia debut as Jess (The Listeners).
In 2023 Amanda was a finalist for the Ryan Center and joined the Glynn Studio program. Sheriff was a Young Artist at the Glimmerglass Festival and premiered the role Calista (Rip Van Winkles).
In 2022, Sheriff was awarded first prize in the Lotte Lenya Competition and returned to Opera Delaware as Despina (Così fan tutte) and also rejoined Opera Baltimore as Miss Jessel (Turn of the Screw).
During 2021, Amanda joined Des Moines Metro Opera as an Apprentice Artist and made her debut as Miss Lightfoot (Fellow Travelers). Amanda was also a Studio Artist at Florida Grand Opera, and performed the roles of Beatrice (Three Decembers),1st Trio member (Trouble in Tahiti) and Célie (Signor Deluso). Amanda performed Norina (Don Pasquale) with Opera Delaware and Monica (The Medium) with Opera Baltimore.
Sheriff was a Young Artist at Seagle in 2019 and performed Susanna (Le Nozze di Figaro).
Soloist Bio – Calvin Griffin
Acclaimed for his "darkly lustrous voice" (South Florida Classical Review), Bass-Baritone Calvin Griffin is quickly establishing himself as an exciting talent in the opera world. In 2023-2024, Mr. Griffin returns to the Metropolitan Opera to sing Adult Robert and cover Charles in Fire Shut Up in My Bones, and to cover the role of Grégorio in Roméo et Juliette. He also will appear in the Greek Orthodox Cathedral Foundation’s Christmas Concert, joins the Princeton Symphony as Don Alfonso in Così fan tutte, and will join Opera Orlando in a future season for a role TBA. This past season, Mr. Griffin returned to The Metropolitan Opera to cover Leader of the King’s Guards in Medea, Doctor Grenvil in La traviata, and Young Emile Griffith in Champion, and joined Opera Project Columbus to perform as a soloist in I, Too, Sing America.
In an exciting 2021-2022 season, Mr. Griffin made his debut with The Metropolitan Opera as well as Lyric Opera of Chicago in the role of Adult Robert in Fire Shut Up in My Bones. He also made his debut with Spoleto Festival USA as Colline in La bohème and returned to Opera Columbus as Tommy McIntyre in Fellow Travelers.
Ensemble Members
GT Symphony Orchestra
Violin I |
Major |
Raymond Jia, Concertmaster |
Computer Engineering |
Daeyong Kwon, Assistant Concertmaster |
Computer Science |
Adrian Cheung |
Computer Science |
Sila Keha |
Industrial Engineering |
Harold Graney Green |
Computer Science |
Ryder Johnson |
Computer Engineering |
Jaiden Lulla |
Aerospace Engineering |
Bharat Kanwar |
Robotics |
Chengrui Li |
Computational Science and Engineering |
Violin II |
|
Suann Kim, Principal |
Chemical and Biomolecular Engineering |
Matthew Rohan |
Chemistry |
Sohum Gala |
Computer Science |
Xiaomeng Ye |
Computer Science |
Subrahmanyam Mullangi |
Computer Science |
Banglue Wei |
Aerospace Engineering |
Madison Park |
Mechanical Engineering |
Marissa Mandir |
Electrical Engineering |
Leo Liu |
Aerospace Engineering |
Viola |
|
Emma Axelson, Principal |
Transportation Systems |
Erika Tay |
Computer Science |
Sujay Rao |
Aerospace Engineering |
May Tang |
Computer Science |
Reese Wang |
Computer Science |
Julian Aldana Brol |
Civil Engineering |
Michelle Wang |
Computer Science |
Genevieve Herron |
Chemical and Biomolecular Engineering |
Ivy Xue |
Neuroscience |
Cello |
|
Peter Gardner, Principal |
Chemical and Biomolecular Engineering |
Ryan Stover |
Aerospace Engineering |
Will Deinzer |
Computer Science |
Benjamin Borthwick |
Computer Science |
Sean Yoshihara |
Computer Science |
Layla Libanan |
Biomedical Engineering |
Sergey Blinov |
Physics and Mathematics |
Nathan Shepherd |
Computer Engineering |
Bass |
|
Atharva Gujrathi, Principal |
Aerospace Engineering |
Audrey Nguyen |
Biology |
Flute |
Major |
Yoojin Jeong * |
Neuroscience |
Annabelle Lee * |
Computer Science |
Alex Yang ^ |
Economics |
Oboe |
|
Oliver Long ^ |
Chemical and Biomolecular Engineering |
Anthony Otlowski * |
Aerospace Engineering |
Clarinet |
|
Nikhil Acharya ^ |
Mechanical Engineering |
Nathan Duggal * |
Computer Science |
Bassoon |
|
Jesse Bruner *^ |
Medical Physics |
Debra Grove |
|
Contrabassoon | |
John Grove |
|
Horn |
|
Alex Bendeck |
Computer Science |
Cathleen Bolger ^ |
Aerospace Engineering |
Nicholas Reed |
Computer Science |
Carlos Sanchez * |
Biomedical Engineering |
Trumpet |
|
Camryn Aguilar ^ |
Chemical and Biomolecular Engineering |
Mason Beyke * |
Psychology |
Trombone |
|
Pranjal Chatterjee ^ |
Electrical Engineering |
Sanjay Rangarajan |
Chemistry |
Zixiao Yang * |
Mechanical Engineering |
Tuba |
|
Alejandro Martinez |
Physics |
Harp |
|
Anoushka Scaria |
Computer Science |
Timpani/Percussion |
|
Alex Evitt |
Aerospace Engineering |
Denotes principal player: ^Esmail, *Brahms
Chamber Choir
Full Name |
Major |
Abby Jacobs |
Mechanical Engineering |
Abigayle Williams |
Environmental Science |
Afsheen Mohammad |
Computer Science |
AJ Chadha |
Computer Science |
Alisha Tan |
Literature Media, and Communications |
Andrew Eng |
Computer Science |
Anthony Zang |
Computer Science |
Carl Flottmann |
Computer Engineering |
Caroline Maxwell |
Chemical and Biomolecular Engineering |
Christian Sims |
Mechanical Engineering |
Christine Ling |
Industrial Engineering |
Cierra Langer |
Industrial Design |
Daniel Buckley |
Electrical Engineering |
Eli Shaw |
Mechanical Engineering |
Emma Johnson |
Aerospace Engineering |
Jacqueline Cunningham |
Psychology |
Jalen Borne |
Materials Science and Engineering |
Jessie Liu | Alumna |
Justin Effendi |
Aerospace Engineering |
Joey Steele |
Music Technology |
Joonha Hwang |
Mechanical Engineering |
Jordan Thybulle |
Biology |
Jorja Overbey |
Environmental Engineering |
Julia Artigue |
Literature Media, and Communications |
Kai Adams |
Mechanical Engineering |
Kailen McCauley |
Computer Science |
Kathryn Amstutz |
Chemical and Biomolecular Engineering |
Kendall Simmons |
Industrial Engineering |
Larry Stokes |
Assistant Director for Undergraduate Admission |
Leo Liu |
Aerospace Engineering |
Lilly Ayala |
International Affairs and Modern Languages |
Neharica Mehendale |
Business Administration |
Niki Lu |
Computer Science |
Noah Weinstein |
Computer Science |
Owen Hammond-Lee |
Math |
Paul Conner |
Computational Media |
Rachael Germany |
Biochemistry and Neuroscience |
Ruhee Chitambar |
Industrial Design |
Sam Barnett |
Economics |
Sasha Dolgashev |
Electrical Engineering |
Savanna Panackal |
Human-Computer Interaction |
Sofia Zambrano |
Music Technology |
Sophia Hawkins |
Industrial Engineering |
Tia Chacko |
Biology |
Will Starkey |
Mechanical Engineering |
Chorale
Bass |
Major |
Arik Montejo |
Mechanical Engineering |
Eddie Hamilton |
Business Administration |
Elijah Hobbs |
Aerospace Engineering |
Hoang Gia Nghi Dinh |
Computer Science |
Jordan Umusu |
Computer Science |
Michael Lagana |
Aerospace Engineering |
William Van Slyke |
Computer Engineering |
Tenor |
|
Christian Escarment |
Business Administration |
Haoxiang Zhao |
Computer Science |
Jeremiah Jensen |
Aerospace Engineering |
Rithvik Nagarajan |
Aerospace Engineering |
Sanjay Damodaran |
International Affairs and Modern Languages |
Victor Shan |
Mechanical Engineering |
Alto |
|
A’nna Wilcox |
Biochemistry |
Caroline Yang |
Psychology |
Chandler Fortune |
Literature, Media, and Communication (LMC) |
Grace Ng'oma |
Computer Engineering |
Helya Taghian |
Biomedical Engineering |
Jing Liu |
Computer Science |
Jocelyn Heath |
Mechanical Engineering |
Jolie Claudio |
Electrical Engineering |
Phillipa Thomas-Wilkinson |
Biology |
Sonal Pandya |
Neuroscience |
Tomi Oladeji |
Business Administration and Applied Language & Intercultural Studies |
Soprano 1 |
|
Dorielis Baez |
Music Technology |
Heeva Taghian |
Industrial & Systems Engineering |
Lily Johnson |
Aerospace Engineering |
Margaret Gaines |
Mechanical Engineering |
Rowena Xue Min Chin |
Mechanical Engineering |
Sabina Sokol |
Computer Engineering |
Sarah Frederickson |
Mathematics |
Zoey de Leon |
Aerospace Engineering |
Soprano 2 |
|
Abagale Fleming |
Undecided |
Ava Moncrief |
Chemistry |
Gabriella Burke |
Architecture |
Janie Harris |
Civil Engineering |
Lily Wallace |
Biochemistry |
Mayce Holland |
Biomedical Engineering |
Rhea Saravanan |
Computer Science |
Ritika Bhardwaj |
International Affairs |
Sabina Maranto |
Aerospace Engineering |
Tiffany Creel |
Biomedical Engineering |
Treble Choir
Soprano |
Major |
Sydney Oden |
Computational Media |
Ava Tompkins |
Computer Engineering |
Zoila de Leon |
Aerospace Engineering |
Jacqueline Cunningham |
Psychology |
Tanvi Thallapally |
Biochemistry |
Leah Lassiter |
Neuroscience, Music Technology, & Chemistry |
Shreya Dhara |
Neuroscience |
Sujana Vangala |
Literature, Media, & Communication |
Yuval Mazor |
Analytics (MSA) |
Jiexi Li |
Music Technology |
Alto |
Major |
Saanvi Molugu |
Computer Science |
Joanna Lin |
Music Technology |
Jessica McKenzie |
Chemistry |
Isabella Areiza |
Industrial Design |
Renee Barnes |
Mathematics |
Jing Liu |
Computer Science |
Miriam Guthrie |
Earth & Atmospheric Sciences |
Lily Kathryn Soetebier |
Literature, Media, & Communication |
Daysen Gyatt |
Computational Media |
Georgia Tech School of Music
Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the Georgia Tech School of Music cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.