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A picture of GTSO and the choirs

Georgia Tech School of Music Presents:
Romantic Masters VIII: Ein deutsches Requiem

Georgia Tech School of Music Presents:
Romantic Masters VIII: Ein deutsches Requiem

Thursday, February 15th, 2024
7:30pm
Ferst Center for the Arts

GT Symphony Orchestra

Chaowen Ting, conductor

Chorale, and Treble Choir

B.E. Boykin, conductor

Chamber Choir

Jerry Ulrich and Nathan Frank, conductors

Jingrui Zhang, accompanist

GT Symphony Orchestra is joined by Chamber Choir, Chorale, and Treble Choir in presenting German composer Johannes Brahms' masterwork, Ein deutsches Requiem (A German Requiem) with soloists Amanda Sheriff (soprano, Atlanta Opera Studio Artists) and Calvin Griffin (bass-baritone).

The GTSO will also present Reena Esmail's Ram Tori Maya featuring two GT Hindustani singers Aaditya Hingoo and Dhruv Pargai. 

Program

Ram Tori Maya (2022)
Reena Esmail (b. 1983)
Aaditya Hingoo and Dhruv Pargai
Hindustani Singing
Ein deutsches Requiem (1865–1868)
Johannes Brahms (1833–1897)
Amanda Sheriff, soprano
Calvin Griffin, baritone
GT Symphony Orchestra and GT Choirs

Ram Tori Maya

Lyrics
Translation
Ram tori maya, nach nachave
(Oh Lord*), these worldly distractions are making me dance to their tune.
Nis din mera manva vyakul
Every day, my mind is so restless that I’m not finding the time to focus.
Sumirat sudhi nahi ave
And without that focus, peace will not come to me.
Jorat tori, neha sut mera
My mind is like a child
Nirvarat arujhave
And I have gotten entangled in that worldly attachment.
Kehi bhidi bhajan karu more sahib
(Oh Lord*), when can I find the time to engage with you
Barbas mohe satave
When the mundane things are nagging at me?
Ram tori maya, nach nachave
(Oh Lord*), these worldly distractions are making me dance to their tune.

*This reference is not literally religious, but an exclamation that aspires to a higher purpose. 

Ein deutsches Requiem

“Ein deutsches Requiem” (A German Requiem), Opus 45

A note on the text and translation: Brahms, perhaps working from memory, sometimes departed in certain details from Martin Luther’s translation of the Bible; the text is given here as he set it. Occasionally the German and English translations of the Bible diverge, and in a few places where it is useful for the understanding of Brahms’s music, we depart from the Authorized Version in order to give a closer rendering of the text Brahms had before him.

1. Selig sind, die da Leid tragen
Selig sind, die da Leid tragen,
denn sie sollen getröstet werden.
-Matthew 5:4
Blessed are they that carry sorrow,
for they shall grow consoled.
Die mit Tränen säen, werden mit Freuden ernten.
Sie gehen hin und weinen und tragen edlen Samen,
und kommen mit Freuden und bringen ihre Garben.
-Psalm 126:5-6
They who sow with tears, grow with harvested joys.
They who go out weeping and carrying noble seeds
will come with joys and will bring their sheaves.
2. Denn alles Fleisch, es ist wie Gras
Denn alles Fleisch es ist wie Gras,
und alle Herrlichkeit des Menschen
wie des Grases Blumen.
Das Gras ist verdorret und die Blume abgefallen.
-1 Peter 1:24
For all flesh, it is as grass,
and all the glory of mankind
as the grass’s flowers.
The grass has dried up, and the flower fallen off.
So seid nun geduldig, lieben Brüder,
bis auf die Zukunft des Herrn.
Siehe, ein Ackermann wartet
auf die köstliche Frucht der Erde,
und ist geduldig darüber,
bis er empfange den Morgenregen und Abendregen.
-James 5:7
So be now patient, beloved brothers,
until the coming of the Lord.
See how the fieldsman waits
for the more delicious fruit of the earth,
and is beyond patient,
until he receives the morning and evening rain.
Denn alles Fleisch es ist wie Gras…
Aber des Herrn Wort bleibet in Ewigkeit.
-1 Peter 1:25
For all flesh, it is as grass…
But the Lord’s word remains for eternity.
Die Erlösten des Herrn werden wieder kommen,
und gen Zion kommen mit Jauchzen;
ewige Freude wird über ihrem Haupte sein;
Freude und Wonne werden sie ergreifen,
und Schmerz und Seufzen wird weg müssen.
-Isaiah 35:10
The redeemed of the Lord will again come,
and toward Zion come with rejoicing;
eternal joy will be on their heads;
joy and bliss will be achieved,
and pain and sighing must go away.
3. Herr, lehre doch mich
Herr, lehre doch mich,
daß ein Ende mit mir haben muß,
und mein Leben ein Ziel hat, und ich davon muß.
Lord, teach me yet,
that I must have an end,
and my life has a finish, and I must have thereof.
Siehe, meine Tage sind einer Handbreit vor dir,
und mein Leben ist wie nichts vor dir.
Ach, wie gar nichts sind alle Menschen,
die doch so sicher leben.
Sie gehen daher wie ein Schemen,
und machen ihnen viel vergebliche Unruhe;
sie sammeln und wissen nicht wer es kriegen wird.
Behold, my days are a hand’s width to you,
and my life is as nothing to you.
Alas, even as nothing is all mankind,
those who are yet so certain to live.
You go therefore as a silhouette,
and make them much needless unrest;
they gather it, and know not who will get it.
Nun Herr, wess soll ich mich trösten?
Ich hoffe auf dich.
-Psalm 39:4-7
Now Lord, who shall comfort me?
I hope in you.
Der Gerechten Seelen sind in Gottes Hand
und keine Qual rühret sie an.
-Wisdom of Solomon 3:1
The souls of the righteous are in God’s hand
and no torment will touch them.
4. Wie lieblich sind deine Wohnungen
Wie lieblich sind deine Wohnungen, Herr Zebaoth!
How lovely are your dwellings, Lord of hosts!
Meine Seele verlanget und sehnet sich nach
den Vorhöfen des Herrn;
mein Leib und Seele freuen sich
in dem lebendigen Gott.
My soul longs and yearns for
the fore-courts of the Lord;
my body and soul look for
the living God.
Wohl denen, die in deinem Hause wohnen,
die loben dich immerdar!
-Psalm 84: 1-2,4
Fortunate are those who dwell in your house,
who praise you forever.
5. Ihr habt nun Traurigkeit
Ihr habt nun Traurigkeit;
aber ich will euch wieder sehen,
und euer Herz soll sich freuen,
und eure Freude soll niemand von euch nehmen.
-John 16:22
You now have sadness;
but I will see you again,
and your heart shall rejoice,
and your joy shall no one take from you.
Sehet mich an:
Ich habe eine kleine Zeit Mühe und Arbeit gehabt,
Und habe großen Trost funden.
-Ecclesiasticus 51:27
See me:
I have a little time of toil and work,
and have found great comfort.
Ich will euch trösten, wie einen seine Mutter tröstet.
-Isaiah 66:13
I will comfort you, as one’s mother comforts.
6. Denn wir haben hie keine bleibende Statt
Denn wir haben hie keine bleibende Statt,
sondern die zukünftige suchen wir.
-Hebrews 13:14
For we have here no permanent city,
but the future city we seek.
Siehe, ich sage euch ein Geheimnis:
Wir werden nicht alle entschlafen,
wir werden aber alle verwandelt werden;
Behold, I tell you a mystery:
We shall not all pass away,
but we shall all be changed
und dasselbige plötzlich, in einem Augenblick,
zu der Zeit der letzten Posaune.
Denn es wird die Posaune schallen,
und die Toten werden auferstehen unverweslich,
und wir werden verwandelt werden.
in a sudden moment, in the glimpse of an eye,
at the hour of the last horn.
For the horn will resound,
and the dead shall arise un-decomposable,
and we shall be changed.
Dann wird erfüllt werden das Wort,
das geschrieben steht:
Der Tod ist verschlungen in den Sieg.
Tod, wo ist dein Stachel?
Hölle, wo ist dein Sieg?
-I Corinthians 15:51-52, 54-55
Then shall be fulfilled the word
that is written:
Death is devoured in victory.
Death, where is your sting?
Hell, where is your victory?
Herr, du bist würdig zu nehmen Preis
und Ehre und Kraft,
denn du hast alle Dinge erschaffen,
und durch deinen Willen haben,
sie das Wesen und sind geschaffen.
-Revelation 4:11
Lord, you are worthy to take praise
and honor and power,
for you have created all things,
and by your will
they, the entities, are created.
7. Selig sind die Toten
Selig sind die Toten,
die in dem Herren sterben, von nun an.
Ja, der Geist spricht, daß sie ruhen von ihrer Arbeit,
denn ihre Werke folgen ihnen nach.
-Revelation 14:13
Blessed are the dead,
those who die in the Lord, from now on.
Yes, the Spirit says that they rest from their work,
and their deeds follow after them.
A picture of the composer Reena Esmail

Composer Bio – Reena Esmail

Indian-American composer Reena Esmail works between the worlds of Indian and Western classical music, and brings communities together through the creation of equitable musical spaces.

Esmail’s life and music was profiled on Season 3 of PBS Great Performances series Now Hear This, as well as Frame of Mind, a podcast from the Metropolitan Museum of Art.

Esmail divides her attention evenly between orchestral, chamber and choral work. She has written commissions for ensembles including the Los Angeles Master Chorale,  Seattle Symphony, Baltimore Symphony Orchestra and Kronos Quartet, and her music has featured on multiple Grammy-nominated albums, including The Singing Guitar by Conspirare, BRUITS by Imani Winds, and Healing Modes by Brooklyn Rider. Many of her choral works are published by Oxford University Press.

Esmail is the Los Angeles Master Chorale’s 2020-2025 Swan Family Artist in Residence, and was Seattle Symphony’s 2020-21 Composer-in-Residence. She also holds awards/fellowships from United States Artists, the S&R Foundation, the American Academy of Arts and Letters, and the Kennedy Center.

Esmail holds degrees in composition from The Juilliard School (BM’05) and the Yale School of Music (MM’11, MMA’14, DMA’18). Her primary teachers have included Susan Botti, Aaron Jay Kernis, Christopher Theofanidis, Christopher Rouse and Samuel Adler. She received a Fulbright-Nehru grant to study Hindustani music in India. Her Hindustani music teachers include Srimati Lakshmi Shankar and Gaurav Mazumdar, and she currently studies and collaborates with Saili Oak. Her doctoral thesis, entitled Finding Common Ground: Uniting Practices in Hindustani and Western Art Musicians explores the methods and challenges of the collaborative process between Hindustani musicians and Western composers.

Esmail was Composer-in-Residence for Street Symphony (2016-18) and is currently an Artistic Director of Shastra, a non-profit organization that promotes cross-cultural music connecting music traditions of India and the West.

She currently resides in her hometown of Los Angeles, California.

Program Notes – Ram Tori Maya

Ram Tori Maya is a bhajan by the ancient Indian saint-poet, Barabas, set to a melody by Ninu Majumdar. It speaks about how worldly distractions can prevent us from focusing on what is the most important and most sacred to each of us, and invites us to find that spirit within ourselves, and commit fully to it.

I originally arranged this bhajan for our Shastra Summer Collaborative, to teach Hindustani singers to sing with a string quartet. But the music is so direct, so lilting, so engaging that when Carnegie Hall’s Link Up program approached me to write a new piece, I knew that the students would benefit more from connecting with this ancient wisdom that is even more relevant in today’s world.

NOTE: I arranged this work in two parts: there is a beginning prelude that is participatory — students can participate by singing or on recorder. This corresponds to the resources in the Carnegie Hall Link Up curriculum, which is available here. The second part, which starts at 1:09 in the video above, is a part that only the orchestra plays. Students can listen in after participating, or the prelude can be omitted entirely if there is no participatory element to the concert.

A picture of Aaditya Rajiv

Soloist Bio – Aaditya Hingoo

Aaditya Hingoo is a passionate student of North Indian classical music and has been learning from Mr. Tushar Bhatia, a pioneering composer and musician based in Mumbai. He has been learning vocals for more than a decade and is adept at multiple Hindustani genres in the Agra style including Dhrupad, Dhamar, and Khayal, Thumri, Tarana, and more. Aaditya also plays the sitar and its rarer counterpart, the surbahar.

Throughout high school and college, Aaditya has been an active participant in various ensembles and performed on multiple stages. He is currently a member of Aarohi, Georgia Tech’s organization for Indian classical arts, where he plays a role in coordinating events to foster engagement within the vibrant music community in Atlanta.

Aaditya is currently pursuing a bachelor’s degree in mechanical engineering and is on EcoCAR, one of the automotive engineering teams at the SCC. In free time, he enjoys cooking, hiking, and spending time with friends and family.

A picture of Dhruv Pargai

Soloist Bio – Dhruv Pargai

Dhruv is a versatile musician and producer whose artistry spans Hindustani Classical music, jazz harmony and music production. He has received formal training in Hindustani Classical as a vocalist, specifically in Khayal Gayaki of Kirana Gharana. As a self-trained keyboardist with some education in jazz harmony, Dhruv’s passion lies in contemporary fusion - where Hindustani vocals intertwine with Western harmony, resulting in captivating and novel compositions. Moreover, he loves to incorporate a mix of acoustic and electronic sounds to push the boundaries of musical expression, exploring the intersection of tradition and innovation.

A picture of Amanda Sheriff

Soloist Bio – Amanda Sheriff

American soprano Amanda Sheriff is currently a Glynn Studio Artist at Atlanta Opera. In 2024, she will make her role debut as Musetta (La Bohéme) at Intermountain Opera Bozeman and return to the Glimmerglass Festival to perform Satirino/L’Eternita (La Calisto) Amanda will make her Opera Philadelphia debut as Jess (The Listeners).

In 2023 Amanda was a finalist for the Ryan Center and joined the Glynn Studio program. Sheriff was a Young Artist at the Glimmerglass Festival and premiered the role Calista (Rip Van Winkles).

In 2022, Sheriff was awarded first prize in the Lotte Lenya Competition and returned to Opera Delaware as Despina (Così fan tutte) and also rejoined Opera Baltimore as Miss Jessel (Turn of the Screw).

During 2021, Amanda joined Des Moines Metro Opera as an Apprentice Artist and made her debut as Miss Lightfoot (Fellow Travelers). Amanda was also a Studio Artist at Florida Grand Opera, and performed the roles of Beatrice (Three Decembers),1st Trio member (Trouble in Tahiti) and Célie (Signor Deluso). Amanda performed Norina (Don Pasquale) with Opera Delaware and Monica (The Medium) with Opera Baltimore.

Sheriff was a Young Artist at Seagle in 2019 and performed Susanna (Le Nozze di Figaro).
 

A picture of Calvin Griffin

Soloist Bio – Calvin Griffin

Acclaimed for his "darkly lustrous voice" (South Florida Classical Review), Bass-Baritone Calvin Griffin is quickly establishing himself as an exciting talent in the opera world. In 2023-2024, Mr. Griffin returns to the Metropolitan Opera to sing Adult Robert and cover Charles in Fire Shut Up in My Bones, and to cover the role of Grégorio in Roméo et Juliette.  He also will appear in the Greek Orthodox Cathedral Foundation’s Christmas Concert, joins the Princeton Symphony as Don Alfonso in Così fan tutte, and will join Opera Orlando in a future season for a role TBA. This past season, Mr. Griffin returned to The Metropolitan Opera to cover Leader of the King’s Guards in Medea, Doctor Grenvil in La traviata, and Young Emile Griffith in Champion, and joined Opera Project Columbus to perform as a soloist in I, Too, Sing America.

In an exciting 2021-2022 season, Mr. Griffin made his debut with The Metropolitan Opera as well as Lyric Opera of Chicago in the role of Adult Robert in Fire Shut Up in My Bones.  He also made his debut with Spoleto Festival USA as Colline in La bohème and returned to Opera Columbus as Tommy McIntyre in Fellow Travelers.
 

Ensemble Members

GT Symphony Orchestra

Violin I

Major

Raymond Jia, Concertmaster

Computer Engineering

Daeyong Kwon, Assistant Concertmaster

Computer Science

Adrian Cheung

Computer Science

Sila Keha

Industrial Engineering

Harold Graney Green

Computer Science

Ryder Johnson

Computer Engineering

Jaiden Lulla

Aerospace Engineering

Bharat Kanwar

Robotics

Chengrui Li

Computational Science and Engineering

Violin II

 

Suann Kim, Principal

Chemical and Biomolecular Engineering

Matthew Rohan

Chemistry

Sohum Gala

Computer Science

Xiaomeng Ye

Computer Science

Subrahmanyam Mullangi

Computer Science

Banglue Wei

Aerospace Engineering

Madison Park

Mechanical Engineering

Marissa Mandir

Electrical Engineering

Leo Liu

Aerospace Engineering

Viola

 

Emma Axelson, Principal

Transportation Systems

Erika Tay

Computer Science

Sujay Rao

Aerospace Engineering

May Tang

Computer Science

Reese Wang

Computer Science

Julian Aldana Brol

Civil Engineering

Michelle Wang

Computer Science

Genevieve Herron

Chemical and Biomolecular Engineering

Ivy Xue

Neuroscience

Cello

 

Peter Gardner, Principal

Chemical and Biomolecular Engineering

Ryan Stover

Aerospace Engineering

Will Deinzer

Computer Science

Benjamin Borthwick

Computer Science

Sean Yoshihara

Computer Science

Layla Libanan

Biomedical Engineering

Sergey Blinov

Physics and Mathematics

Nathan Shepherd

Computer Engineering

Bass

 

Atharva Gujrathi, Principal

Aerospace Engineering

Audrey Nguyen

Biology

Flute

Major

Yoojin Jeong *

Neuroscience

Annabelle Lee *

Computer Science

Alex Yang ^

Economics

Oboe

 

Oliver Long ^

Chemical and Biomolecular Engineering

Anthony Otlowski *

Aerospace Engineering

Clarinet

 

Nikhil Acharya ^

Mechanical Engineering

Nathan Duggal *

Computer Science

Bassoon

 

Jesse Bruner *^

Medical Physics

Debra Grove

 

Contrabassoon  

John Grove

 

Horn

 

Alex Bendeck

Computer Science

Cathleen Bolger ^

Aerospace Engineering

Nicholas Reed

Computer Science

Carlos Sanchez *

Biomedical Engineering

Trumpet

 

Camryn Aguilar ^

Chemical and Biomolecular Engineering

Mason Beyke *

Psychology

Trombone

 

Pranjal Chatterjee ^

Electrical Engineering

Sanjay Rangarajan

Chemistry

Zixiao Yang *

Mechanical Engineering

Tuba

 

Alejandro Martinez

Physics

Harp

 

Anoushka Scaria

Computer Science

Timpani/Percussion

 

Alex Evitt

Aerospace Engineering

 

Denotes principal player: ^Esmail, *Brahms

Chamber Choir

Full Name

Major

Abby Jacobs

Mechanical Engineering

Abigayle Williams

Environmental Science

Afsheen Mohammad

Computer Science

AJ Chadha

Computer Science

Alisha Tan

Literature Media, and Communications

Andrew Eng

Computer Science

Anthony Zang

Computer Science

Carl Flottmann

Computer Engineering

Caroline Maxwell

Chemical and Biomolecular Engineering

Christian Sims

Mechanical Engineering

Christine Ling

Industrial Engineering

Cierra Langer

Industrial Design

Daniel Buckley

Electrical Engineering

Eli Shaw

Mechanical Engineering

Emma Johnson

Aerospace Engineering

Jacqueline Cunningham

Psychology

Jalen Borne

Materials Science and Engineering

Jessie Liu Alumna

Justin Effendi

Aerospace Engineering

Joey Steele

Music Technology

Joonha Hwang

Mechanical Engineering

Jordan Thybulle

Biology

Jorja Overbey

Environmental Engineering

Julia Artigue

Literature Media, and Communications

Kai Adams

Mechanical Engineering

Kailen McCauley

Computer Science

Kathryn Amstutz

Chemical and Biomolecular Engineering

Kendall Simmons

Industrial Engineering

Larry Stokes

Assistant Director for Undergraduate Admission

Leo Liu

Aerospace Engineering

Lilly Ayala

International Affairs and Modern Languages

Neharica Mehendale

Business Administration

Niki Lu

Computer Science

Noah Weinstein

Computer Science

Owen Hammond-Lee

Math

Paul Conner

Computational Media

Rachael Germany

Biochemistry and Neuroscience

Ruhee Chitambar

Industrial Design

Sam Barnett

Economics

Sasha Dolgashev

Electrical Engineering

Savanna Panackal

Human-Computer Interaction

Sofia Zambrano

Music Technology

Sophia Hawkins

Industrial Engineering

Tia Chacko

Biology

Will Starkey

Mechanical Engineering

 

Chorale

Bass 

Major 

Arik Montejo  

Mechanical Engineering 

Eddie Hamilton 

Business Administration 

Elijah Hobbs 

Aerospace Engineering 

Hoang Gia Nghi Dinh 

Computer Science 

Jordan Umusu 

Computer Science 

Michael Lagana 

Aerospace Engineering 

William Van Slyke 

Computer Engineering 

Tenor 

 

Christian Escarment  

Business Administration 

Haoxiang Zhao 

Computer Science 

Jeremiah Jensen 

Aerospace Engineering 

Rithvik Nagarajan 

Aerospace Engineering 

Sanjay Damodaran 

International Affairs and Modern Languages 

Victor Shan 

Mechanical Engineering 

Alto 

 

A’nna Wilcox 

Biochemistry 

Caroline Yang 

Psychology 

Chandler Fortune 

Literature, Media, and Communication (LMC) 

Grace Ng'oma 

Computer Engineering 

Helya Taghian 

Biomedical Engineering 

Jing Liu 

Computer Science 

Jocelyn Heath 

Mechanical Engineering 

Jolie Claudio  

Electrical Engineering 

Phillipa Thomas-Wilkinson 

Biology 

Sonal Pandya 

Neuroscience 

Tomi Oladeji 

Business Administration and

Applied Language & Intercultural Studies 

Soprano 1 

Dorielis Baez 

Music Technology 

Heeva Taghian 

Industrial & Systems Engineering 

Lily Johnson 

Aerospace Engineering 

Margaret Gaines 

Mechanical Engineering 

Rowena Xue Min Chin 

Mechanical Engineering 

Sabina Sokol 

Computer Engineering 

Sarah Frederickson 

Mathematics 

Zoey de Leon 

Aerospace Engineering 

Soprano 2 

Abagale Fleming 

Undecided 

Ava Moncrief  

Chemistry 

Gabriella Burke  

Architecture 

Janie Harris 

Civil Engineering 

Lily Wallace 

Biochemistry 

Mayce Holland  

Biomedical Engineering 

Rhea Saravanan 

Computer Science 

Ritika Bhardwaj 

International Affairs 

Sabina Maranto 

Aerospace Engineering 

Tiffany Creel 

Biomedical Engineering 

Treble Choir

Soprano

Major

Sydney Oden

 Computational Media

Ava Tompkins

 Computer Engineering

Zoila de Leon

 Aerospace Engineering

Jacqueline Cunningham

 Psychology

Tanvi Thallapally

 Biochemistry

Leah Lassiter

 Neuroscience, Music Technology, & Chemistry

Shreya Dhara

 Neuroscience

Sujana Vangala

 Literature, Media, & Communication

Yuval Mazor

 Analytics (MSA)

Jiexi Li

 Music Technology

Alto

Major

Saanvi Molugu

 Computer Science

Joanna Lin

 Music Technology

Jessica McKenzie

 Chemistry

Isabella Areiza

 Industrial Design

Renee Barnes

 Mathematics

Jing Liu

 Computer Science

Miriam Guthrie

 Earth & Atmospheric Sciences

Lily Kathryn Soetebier

 Literature, Media, & Communication

Daysen Gyatt

 Computational Media

 

Georgia Tech School of Music

Through interdisciplinary degree programs, outstanding performance ensembles, and innovative research endeavors, the Georgia Tech School of Music cultivates a rich legacy of musical traditions and develops cutting-edge technologies to help define music's future. The School serves students in bachelors, masters, and doctoral programs in music technology and offers innovative performance opportunities, courses, and cultural and artistic experiences for students throughout the Institute.